Mere Husband Ki Biwi Review: Arjun Kapoor and Bhumi Pednekar Confront Tropes and Scenes in an Uninspired Narrative

Bollywood has always loved its share of love triangles, mistaken identities, and complicated relationships, but there’s a fine line between reimagining a trope and recycling it without adding any freshness. Mere Husband Ki Biwi, starring Arjun Kapoor, Bhumi Pednekar, and Rakul Preet Singh, attempts to be a quirky rom-com but struggles to break free from its predictable and uninspired storytelling.

Directed by Anand L. Rai, the film sets out to explore modern relationships, jealousy, and misunderstandings, but instead, it gets lost in its own confused tonality. What could have been a refreshing take on love, trust, and individuality ends up being a stretched-out, half-hearted drama with occasional sparks of entertainment.

Let’s dive deeper into what works, what doesn’t, and whether Mere Husband Ki Biwi is worth your time.

A Love Triangle That Feels More Like a Love Trapezium

The film follows Kabir (Arjun Kapoor), a simple yet charming middle-class man, who is married to Ananya (Bhumi Pednekar), an ambitious and fiery woman. Their life takes an unexpected turn when Sanya (Rakul Preet Singh), Kabir’s ex-girlfriend, re-enters the picture, leading to a chaotic yet unconvincing love triangle.

What follows is a series of misunderstandings, passive-aggressive confrontations, and forced comedic situations as Kabir finds himself torn between his past and present. While this could have been the perfect recipe for a laugh-out-loud rollercoaster, the uninspired screenplay and half-baked character arcs fail to create any genuine impact.

Despite the film’s attempt to blend humor with emotional depth, it never truly commits to either. The dialogues feel forced, and the so-called emotional moments lack authenticity. The film tries to play on the age-old “ex vs. wife” tension, but it repeats clichés instead of subverting them.

Arjun Kapoor as Kabir

Arjun Kapoor’s performance as Kabir is neither outstanding nor terrible—it’s just... there. He does his usual “charming, confused man caught between two women” act but never truly elevates the character beyond the surface level.

• While he has some funny moments, they are too few and far between.
• His chemistry with Bhumi Pednekar feels forced, while his dynamic with Rakul Preet Singh lacks emotional depth.
• At times, he seems disengaged, as if he himself is wondering, Why am I here?

Arjun has proven that he can handle comedy well, but here, he is let down by weak writing and uninspired direction. His character lacks the energy and depth required to carry a film centered around relationships and confusion.

Bhumi Pednekar as Ananya

Bhumi Pednekar is one of Bollywood’s most talented actresses, but even she struggles to save this script. As Ananya, the headstrong wife, she delivers a solid performance, but her character is written too predictably.

• She is fierce and independent, yet she falls into the stereotypical “jealous wife” trope without much nuance.
• Her emotional moments feel more scripted than heartfelt.
• Despite her strong presence, the lack of character development makes her role feel incomplete.

Bhumi tries her best to bring authenticity to Ananya, but the film’s weak emotional core makes it hard to connect with her journey.

Rakul Preet Singh as Sanya

Rakul Preet Singh’s Sanya is supposed to be the catalyst that shakes things up, but she never truly adds depth to the conflict.

• Her character is reduced to a plot device rather than a fully developed individual.
• The love triangle feels manufactured, and her interactions with Arjun Kapoor lack the spark needed to make it convincing.
• She tries to infuse some playfulness into her role, but poor writing limits her impact.

At the end of the day, Sanya is just "the ex" who exists to create tension, but she never really becomes memorable.

The Direction

Director Anand L. Rai is known for his knack for creating heartfelt yet entertaining films, but here, his storytelling feels lost between different tones.

• The film doesn’t know whether it wants to be a full-fledged comedy, a relationship drama, or a social commentary.
• The screenplay is predictable, making most plot twists feel unoriginal.
• The narrative drags in the second half, making the runtime feel longer than it actually is.

There are glimpses of a good film buried under weak execution, but unfortunately, it never quite finds its footing.

The Music

Bollywood rom-coms usually thrive on catchy songs, but Mere Husband Ki Biwi fails to deliver any memorable tracks.

• The romantic songs feel generic and lack soul.
• The fun peppy numbers fail to leave a lasting impression.
• At best, the music is passable, but at worst, it’s completely forgettable.

Conclusion

Mere Husband Ki Biwi had the potential to be a fun, refreshing take on modern relationships, but it falls into the trap of predictable storytelling, weak execution, and uninspired humor. Despite the strong screen presence of Bhumi Pednekar and a few entertaining moments, the film never quite delivers the charm and wit it promises.

The love triangle lacks depth, the comedy feels forced, and the direction struggles to maintain a consistent tone. While Arjun Kapoor and Rakul Preet Singh try to bring life to their characters, the lackluster screenplay doesn’t give them much to work with. Even the music, which could have uplifted the film, remains forgettable.